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Elsa (Disney) - Wikipedia. Queen Elsa of Arendelle is a fictional character who appears in Walt Disney Animation Studios' 5. Frozen. She is voiced primarily by Broadway actress and singer Idina Menzel. At the beginning of the film, she is voiced by Eva Bella as a young child and by Spencer Lacey Ganus as a teenager. Created by directors Chris Buck and Jennifer Lee, Elsa is loosely based on the title character of .

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In the Disney film adaptation, she is introduced as the princess of the fictional Scandinavian kingdom of Arendelle, heiress to the throne and the elder sister of Princess Anna (Kristen Bell). Elsa has the magical ability to create and manipulate ice and snow.

She inadvertently sends Arendelle into an eternal winter on the evening of her coronation. Throughout the film, she struggles first with controlling and concealing her abilities and then with liberating herself from her fears of unintentionally harming others, especially her younger sister.

The Snow Queen character, neutral but cold- hearted in the original fairytale and villain in numerous adaptations of the character, proved difficult to adapt to film due to her transparent depiction. Several film executives, including Walt Disney, attempted to build on the character, and a number of scheduled film adaptions were shelved when they could not work out the character. Buck and his co- director, Jennifer Lee, were ultimately able to solve the dilemma by depicting Elsa and Anna as sisters. As much as Anna’s struggle is external, Elsa’s is internal. This led to Elsa being gradually rewritten as a sympathetic, misunderstood character. Elsa has enjoyed a largely positive reception from reviewers, who praised her complex characterization and vulnerability. Menzel was also widely praised for her vocal performance of Elsa, especially that of her performance of the song .

The tale focuses on two children, one named Gerda, who served as the basis for Princess Anna, and the other named Kai, who is . She was fair and beautiful, but made of ice—shining and glittering ice. Still she was alive and her eyes sparkled like bright stars, but there was neither peace nor rest in their glance. In 2. 01. 1, director Chris Buck began work on another attempted adaption and also faced challenges with the Snow Queen character. Producer Peter Del Vecho explained that this was primarily because she was not relatable and too isolated, having no personal connections.

As a result, they could not explain her motivations. After several changes were proposed, someone on the writing team suggested making the Snow Queen Anna's sister. Joined by a rugged, thrill- seeking outdoorsman, his one- antlered reindeer and a hapless snowman, Anna must race against time, conquer the elements and battle an army of menacing snowmen if she ever hopes to melt her frozen heart. Additionally, she is shown creating an army of snowmen similar to the original Snow Queen's army of snowflakes; the comedic character of Olaf was at the time written as a smaller snowman who was cast out by Elsa for being too unintimidating. She plays a very strong character, but someone who lives in fear—so we needed someone who could portray both sides of the character, and Idina was just amazing. For example, Menzel wanted there to be a difference between the ways she sounded when she was being bold and when she was angry.

According to composer Robert Lopez, Menzel's vocal range was able to clearly convey Elsa's . At one point during a table read, they sang a ballad (later revealed as .

According to Menzel, she was originally scripted as a one- dimensional antagonist but was gradually revised as a more vulnerable, multifaceted figure. Elsa received the following description: From the outside, Elsa looks poised, regal and reserved, but in reality, she lives in fear as she wrestles with a mighty secret—she was born with the power to create ice and snow. It's a beautiful ability, but also extremely dangerous. Haunted by the moment her magic nearly killed her younger sister Anna, Elsa has isolated herself, spending every waking minute trying to suppress her growing powers. Her mounting emotions trigger the magic, accidentally setting off an eternal winter that she can't stop.

She fears she's becoming a monster and that no one, not even her sister, can help her. The scene depicts her choice to . Character design supervisor Bill Schwab said, . During the song, she gives herself permission to be who she is and everything changes—her hair is more wild, her gown is magical. She's finally free—even if she is all alone.!

But there's a gleam in her eye and a supermodel walk that goes with it and, for me, it was fun to be a blonde because I'm not in real life. To have to let go of everything you know and all the people you love. And yet the incredible release you'd have to finally let go of everything you've holding back your entire life. Robert Lopez, who composed the song with his wife, Kristen Anderson- Lopez, explained, . She was originally drawn in a style similar to other Disney villains, with blue skin and spiky black hair.

Art director Michael Giaimo said that while a number of strategies were proposed for Elsa's hair, Lasseter would push the animation team to continue making improvements, saying, . We want people to feel like this hair is a beautiful statement. This included giving her first snowflakes a simple design.

Her snow and ice patterns later become more intricate and complex when she is an adult. Co- effects supervisor Marlon West elaborated, .

The film's design team was uncertain about how it should look and drew out designs for various ice castles filled with snow. Lasseter suggested basing the structure and patterns on snowflakes. For example, an enormous snowflake would serve as the foundation, and the palace would be hexagon- shaped. Lasseter also wanted snowflake patterns to influence the manner in which Elsa creates the palace.

And when there are changes in temperature and humidity, these snowflakes start growing in a pattern that's known as branching and plating. While the traditional Norwegian rosemaling was the inspiration for her costuming early in the film, her ice gown was designed similarly to her palace, with snowflakes heavily influencing the style. Her cape itself is a large snowflake.

As a child, she uses her abilities to create a winter wonderland to play in with her younger sister and best friend, Princess Anna. One night, Elsa accidentally harms Anna with her powers. The king and queen of Arendelle hurriedly take Anna to a tribe of mountain trolls to be healed.

While healing Anna, the trolls inform the royals present that Elsa's abilities will grow, becoming both beautiful and very dangerous so she must learn to control them. While the trolls erase Anna's memory of the incident and of her elder sister's powers in general, Elsa is traumatized by the event. The king and queen take steps to control and hide Elsa's ice powers: the castle gates are locked, Elsa is shut away in her bedroom for most of the time, she is given gloves to help suppress her powers and is told to hold in her emotions as well. Nonetheless her powers continue to grow even stronger and so she becomes fearful of harming those she cares about most. Meanwhile, her sister Anna is less happy and confused by the loss of contact with her elder sister and tries, without success, to coax her out of her room.

When the sisters grow into teenagers, the ship in which the king and queen are sailing is capsized in a storm and they drown, leaving Anna and Elsa feeling even more lonely. Three years pass, and Elsa, now of age, is set to formally succeed her father as the monarch of Arendelle.

Though she is afraid of opening the castle to the large crowds, her coronation goes on relatively peacefully. However, at the reception party, Anna asks for Elsa's blessing to marry Prince Hans of the Southern Isles, whom Anna had met earlier that day. Elsa refuses to bless Hans's offer to marry Anna; he is someone she barely knows, prompting an argument between the two. Being so upset Elsa accidentally reveals her power. Upon the guests' and her subjects' horror and being accused of sorcery and called a monster, Elsa flees the castle and retreats into the icy mountains.

In the process, her emotions unleash an . While there, she decides to embrace, finally, all her powers and builds an enormous ice palace where she believes she can live freely without fear of hurting people. She also rebuilds her childhood snowman, Olaf, and unknowingly brings him to life. Anna, determined to find Elsa and bring her back, travels through the mountains, encountering Olaf and a mountain man named Kristoff.

They reach the ice palace, where Anna attempts to persuade Elsa to return home and mend their relationship. When Elsa ultimately resists (due to her memory of hurting Anna as a child with her powers resurfacing) Anna tells her about the state that Arendelle and all its people was left in. Horrified, Elsa lashes out and accidentally freezes Anna's heart. Now even more horrified at the prospect of hurting her sister and people with her powers, Elsa forces Anna, Kristoff and Olaf out by creating a gigantic snow creature (called Marshmallow by Olaf), that is a symbol of her desire to be alone so as to be able to use her powers without hurting anyone. After this, her ice castle evidently becomes darker and more grotesque, reflecting her torment and re- ignited fears. Meanwhile, Anna becomes weaker day by day and Kristoff takes her back to the trolls, who tell them that only an . Elsa seizes two soldiers who attempt to assassinate her.

Hans convinces her to spare them to prove that she is not a monster. However, she is knocked unconscious and taken to her castle's dungeon. Hans visits her and urges her to end the winter; Elsa admits that she has no idea how to do so. After he leaves, she is able to break free from the chains by freezing them and escapes the cell, though her fears trigger a massive blizzard.